Steep Stories

of the Lazy Literatus

Month: November 2011

State of the Minion Address

[Tap-tap] Is this thing on? Okay…

I started this Tea Trade blog in April of this year because of one occurrence – tea was dominating my writing website. My “Steep Stories” category – a section devoted to leafy wonderfulness – needed a new home, one with an appreciation from likeminded folks. The biggest problem it had, though, was its complete lack of focus. It was as if my mind had taken text form. But for some reason, it was met with approval from the burgeoning community.

It was to serve as a Litmus test for my tea writing – to see if it was even plausible to put tea to fiction, musings, and reviews in an interesting way. And – most importantly – gain an audience. However, its biggest hindrance was its disparate narrative. Cohesion was not my strongest suit. I had no clue what my niche was, or what sort of theme the new “Steep Stories” blog would have. Tea fiction really didn’t work as a sole magnifier, rants were few and far between, and I already contributed to two review sites. What would make this blog stand out?

A couple of weeks back, it finally occurred to me that it was developing its own focus. More or less under my notice. The only reviews I posted to the page were teas with unique stories and/or origins to them. I decided I best make it official and finally unveiled the oft-mentioned Tea “WANT!” List – a growing collection of strange new teas I wanted to try before I died. (Okay, yes, it should be called a Tea Bucket List, but that sounds too morbid. “WANT!” just sounds more childlike.) It seemed like a perfect manifesto to springboard from.

Then a funny thing happened. Well…not funny…more like…peculiar.

Yes, this is the *actual* tea inventory stack.

That same week I found myself bombarded. I put in my orders with the two review sites I was a part of, received three-to-four new packages in the mail, and still had to contend with a backlog of review inventory. Yes, I actually had to use the word “inventory”. By last count, the amount of teas I had to plug through had climbed to a staggering fifty-plus.

I know what you’re thinking, We should all have such problems, a**hole!

Believe me, I’m not complaining. I am eternally grateful to the vendors that valued my opinion enough to send me anything. What it did, though, was remind me that I needed to actually keep a schedule. So, I started mapping out what teas were going to what sites. Unique teas would stay on the “Steep Stories” page, manly teas would post to the “Beasts of Brewdom” page, and the reviewer samples would go to the respective sites they were shipped from.

Realistically, I could get through one (maybe two) tea reviews a day. An average write-up took me about an hour or two, depending on type and brewing specs. Blogs were another story entirely. A typical “Steep Stories”/”Beasts of Brewdom” post – with accompanying pictures – took anywhere from four hours…to two days. That’s a hefty chunk of time.

When I thought I had everything mapped out, I noticed a sobering trend. My readership had dropped significantly. Most recent entries were met with deafening silence compared to posts past. That and my own writing site had seen a drop-off by about two hundred views. Tea folk are generally a more polite lot than the rest of the Internet; they won’t outright say, “You suck!” However, no response is a response.  Something was clearly wrong with my new “business” model.

Which brings me to the questions I wanted to pose to you, fair reader(-s?): When you visit this page, what have you come to expect? What works and what doesn’t? What would you like to see more of? What would you like to see less of? Should I leave reviews solely to the review sites – even the unique ones?

Or are you all just shaking your head and thinking, Quit your bitchin’ and get back to “work”.

I ask these out of logical necessity. Contrary to popular belief, blogging is a lot of work. I’m not getting paid for any of this (well…except in tea). Keeping a semi-regular schedule of two-to-three updates a week – on top of a one/two-review-a-day – writing schedule equates to roughly 36 hours. That’s right…a day-and-a-half. Last week alone was two-and-a-half.

Clearly, I’m doing something wrong. I’m just trying to gage what that is, adapt accordingly, and cut corners where I can. I don’t want this to be another tea reflection or review site. There are plenty of other folks on Tea Trade that are far better at those than I. (The Devotea’s Tea Spouts, Lahikma Joe Drinks Tea, The Purrfect Cup, Teaconomics and The SororiTea Sisters come to mind as shining, more worthy examples.) Any feedback would be greatly appreciated.

Thank you for listening to my tea-fueled identity crisis.

Very Well, Give Him Tea Cake

Photo Owned by Canton Tea Co.

Photo Owned by Canton Tea Co.

I received an e-mail some two months back from Canton Tea Co. wondering if I had interest in reviewing a new sheng (raw) pu-erh. Far be it from me to refuse such an offer, I nodded (and typed) an emphatic, “Yes!” The only question would be where to put the review. I contribute to three different sites and keep my own blog for musings and unique teas. As I was pondering this, the tea arrived a short week after.

Canton Tea Co. described this as a sheng pu-erh made of “just-pressed” maocha (unfinished pu-erh leaves), and that it was privately commissioned by them from a small tea farm in Yunnan. That’s right: A custom-made pu-erh. I guess this was Canton’s way of saying: “We have a tea cake named after us, what are you doing with your life?”

Ah yes, the term “tea cake”, I almost forgot to get to that. For those in the pu-erh know, post-fermented and/or aged teas are often compressed into different shapes. These forms are almost always cake-shaped. “Beencha” (or “bingcha”, depending on your pinyin) literally means “tea cake”. Personally, I think the pressed pu-erhs look more like Frisbees…but I don’t think there’s a fancy Mandarin word for that (but I’m sure someone will prove me wrong).

But I digress.

While I was pondering where to put a write-up for this tea, I decided to take a sliver of it to work. I found most shengs could take a Western brew-up pretty well – even allowing three steeps. The flavor I expected was the usual rustic, earthy, and somewhat winy lean of raw pu-erhs past. That was not the case here. In fact, it was rather light, fruity and floral – kind of like un-pressed maocha, but not as brusque. Perhaps I should’ve read the fine print on Canton’s custom tea.

Photo Owned by Canton Tea Co.

Photo Owned by Canton Tea Co.

Not only was it a sheng beengcha specially made for Canton Tea Co., it was also one of the youngest pu-erhs I’ve ever come across. The stuff was plucked, pressed and packed in the spring…of this year! Up to this point, the youngest sheng I had tried was at least three years old. That would explain the green tea-ish flutteriness I felt on the tongue. That settled the inner debate of where to put the write-up. Youngest pu-erh ever? Custom-commissioned? Yeah, that’s unique.

Now I had to give it a more thorough, worthwhile look-through. Canton also mentioned in the tea’s profile that the leaves were of the “Arbor” varietal – a wide-leafed cultivar often used for pu-erh. They were also labeled Grade 6 and above. I had absolutely no idea what that meant. What I did know was that the leaves looked like a sliver of tree bark in their pressed form – wonderfully sweet and floral tree bark.

Brewing instructions on the Canton site recommended a gongfu prep using a 3-4g chunk (a teaspoon) in 203F water and a first infusion of twenty seconds. They also mentioned that it could infuse up to six times. I already knew it could hold up to Western prep rather well, but I wanted to see how a gongfu go-ahead would fair. Instead of twenty seconds for the first steep, though, I went with thirty. I also followed that up with three more infusions – another at thirty seconds and the last two at forty.

First infusion (thirty seconds): The liquor brewed pale (but crisp) yellow with a wonderful aroma of tangerine blossoms – sweet and citrusy. It reminded me quite a bit of a white tea I had from the same varietal. The taste was smooth, lightly citrusy as well, and only mildly grassy on finish.

Second infusion (thirty seconds): A bit of a deeper yellow-gold liquor this time around, and the scent had more of a floral presence. Also in the aroma was a distinct feeling of “smoke” – not sure how that got there. The flavor began with a clean introduction that emboldened to a lemongrassy top note before trailing off pleasantly into Mao Jian green tea territory.

Third infusion (forty seconds): The liquor color hadn’t changed, but the smell was dominated by lemons and flowers – faintly, of course, but still there. Flavor-wise, it delivered a crisp smack of citrus, then smoothed out to a completely green tea-like palate delivery. Pu-erh? What pu-erh?

Fourth infusion (forty seconds): This hadn’t weakened in either color or scent; the yellows and lemongrassiness still reigned supreme. The taste was still crisp, and there was no change to the spry citrus mouth-feel. On the finish, I got some of the residual, pu-erh-ish mustiness.

Photo by Davis Doherty

Photo by Davis Doherty

Beyond the four I wrote about, this could’ve easily gone on for another three infusions. Any brewing beatdown I gave the leaves, it took with steeped stoicism. Much like a loose sheng pu-erh I wrote about last week. Canton Tea Co. was spot-on in their belief that this was a perfect introductory pu-erh for the uninitiated. It lacks some of the feeling of “old” that its mature cuppa compatriots possess. It’s the perfect gateway to the world of aged teas, and I bet it could age well on its own. If I had a pu-erh cellar – and if I believed I could live past fifty – I would experiment. You’ll just have to take my word (and theirs) for it in the meantime.

To purchase the 2011 Canton Tea Co Special Puerh, go HERE.

(Title “inspired” by Eddie Izzard, watch and laugh.)

Putting the “Noir” in Black

Pinot Noir – meaning “pine black” in French – is a type of grape closely associated with the Burgundy region of France. It also has the claim to fame of being a very ancient grape, only a couple of strains removed from Vitis sylvestris. (I.e. Pinot is to it what dogs are to wolves.) As everyone knows, it is typically used in the production of a very burly red wine. It’s tough to grow but great to drink.

I, personally, don’t care for the stuff, opting instead for its equally burly (but less tannic) Italian cousin, Sangiovese. However, there is one thing that grabs my attention, and it’s anything that has been flavored with Pinot. I have no clue why this is, it just grabs my fancy. Case in point: I once tried a stout ale that’d been aged in a Pinot Noir barrel. The drink took on all the characteristics one loved in red wine…without any of the negatives. That and there was the flavor of the main ingredient.

So, you can imagine my glee when I found out – from the owner, no less – that Smith Teamaker was playing around with a Pinot Noir barrel-aged black tea. The kind folks at Adalsheim Vineyard in Oregon’s Pinot-rich Dundee/Newberg area gifted my favorite tea op with a just-used barrel for just such an experiment. To date, I had tried three of Smith’s alcohol-scented tea experiments. All were one shade of wonderful or another – my fave being their whiskey Ceylon – and I hoped this one was worthy of the pantheon.

Aside from the touted wine barrel, the leaves used were from the Dimbulla and Uva regions of Sri Lanka (Ceylon). Some Nuwara Eliya was also sprinkled in for good measure, but their presence was minor. I’m guessing Smith was aiming for a darker black tea with a floral character that could go toe-to-toe with the winy residuals.

The leaves were long-cut, twisty, dirt-brown to soot-black with an occasional golden piece that made its way into the fray. The aroma was all grape. I can’t think off the top of my head what Pinot Noir smells like – other than berry-flavored battery acid – but the batch certainly had the grape thing down pat.

There were no set brewing instructions for this, given that it was an experimental batch at best, but I figured a typical black tea approach was in order. I used 1 tsp of leaves in 8oz. of boiled water, steeped for four minutes. Usually, I would only go three, but I wanted to get all the bang out of the barreled beauty.

The liquor brewed gold-ringed amber with a nose that betrayed no subtlety. It was a bold, somewhat sour, very grapy wine front with an after-whiff of flowers. That same impression showed through in the taste with a front that was dominated with winy notes – like a tongue touched by crimson – and was immediately followed up by the mid-malt and floral impression of the Ceylon base. As far as delivery mechanisms went, the use of a Ceylon as opposed to an Assam or a Keemun might’ve been the right one. No kidding aside, this was a wine fancier’s “hair of the dog” without any of the headache or inebriation.

Without exaggeration, this was their best alcohol-scented “teaxperiment” to date. While I enjoyed the whiskey and gin tryouts that preceded it, this was the one with the strongest liquor impression. This is the perfect morning cup for a Pinot-drenched palate. Now, maybe if I beg enough, I could get them to do a Sangiovese barrel-aged Keemun Hao Ya. Guan Yin willing…it’ll happen.

Pwned by Purple Pu-Erh

I remember when I first tried pu-erh; I couldn’t stand it. The black muck someone pushed in front of me didn’t seem like tea. It had the consistency of thin oil and the smell of sardines. This wasn’t something I could fathom anyone drinking. I was even more surprised to learn that there were pu-erh enthusiasts, and that it could be aged like wine. Prices sometimes rose in the thousands. “That does it,” I said to myself. “That will be my snobbery capper.” The moment I started worrying about the age of my tea would be the moment I’d stop drinking it.

That changed in a matter of years.

Now that I was completely far gone in my pursuit of aged teas, most raw pu-erhs (and all cooked pu-erhs) made before 2009 were met with skepticism. It was the winy note produced by the older ones; for some reason the youngling Yunnans lacked it. Even with that unwritten rule established, I was still a sucker for something unique. Even if it was new.

In this case, not only was it young…but it was produced this year. That made it no older than most Long Jings (a spring-harvested green). Along with some Kenyan Purple Tea (which I loved), Butiki Teas also sent me a rare sheng (read: raw) pu-erh that was dubbed “Wild Purple Buds”. The tea trees for this sheng pu-erh grew at an elevation of 6,000 ft., and naturally possess a higher level of anthocyanin (a flavonoid), which gave the leaves their purplish hue. Unlike the new Kenyan strain that was tailored to produce more anthocyanin, the leaves from this Yunnan cultivar already had it. Likeliest of reasons for this naturally-occuring…uh…”purple”-ing might’ve been the UV radiation exposure due to the higher elevation.

According to Butiki, the leaves for this uniquely young pu-erh were harvested from ancient tea trees (Da Ye, perhaps?) by the Wa tribe. From what I read, there are only 350,000 Wa living in China. They are predominately a rural culture living out of bamboo houses, and they still practice a form of slash-and-burn agriculture. Historically they are known for two bits of infamy – headhunting and their involvement in the opium trade. Most reside along the border of Thailand and Myanmar.

I found this mountaineering tribe far too interesting for my own good. Trying a tea from a former opiate-fueled, headhunting culture? Yeah that screamed “Awesome!” (Not a politically correct thing to say, I know.) It was time to give this purple beast a brew-up.

The dried leaves weren’t that purple to the eye, but there was a semblance of their fresher days in the red-brown palette on display. If I squinted, I could make out a purple leaf piece or two. They were also prettier than their more aged kin, looking more like wild leaves than – say – compost. Like with the Kenyan Purple, there wasn’t much of an aroma to speak of. What I could discern – if I tried – was a mild, wilderness berry-ish scent with a tinge of leafy smokiness. Definitely a sheng pu-erh.

Butiki Teas’ brewing instructions recommended a water temp of up-to-212F and twenty different infusions at three seconds or more – 1 level teaspoon of leaves per cup. I honestly didn’t have that kind of time. The first infusion I went for would be three seconds, but the last two – for note-taking’s sake – would be at my usual thirty-to-forty seconds approach. I also middle-grounded the temperature at 200F.

First infusion (ten seconds…accidental): I meant to do this for only three seconds (per the instructions), but I was having technical difficulties with the camera. That shot the three-second mark up to ten seconds. What resulted was a white tea-ish, pale yellow liquor with a grapy/grassy nose. First sip tasted like a smoker Silver Needle.

Second infusion (thirty seconds): It was the same clear liquor but with a more of a juniper aroma. The taste was slightly smokier, and I could see what Bukiti meant about the presence of oak. Still very white tea-like, though. Was this really supposed to be a pu-erh?

Third infusion (thirty seconds): What the heck? The liquor was still clear, but the aroma…what a change! I detected hints of strawberry and vanilla. The flavor echoed this – fruit-filled, creamy and sweet. Trailing close behind was a peaty finish. Very strange.

Fourth infusion (forty seconds): As expected, no change in the color. However, the same could not be said for the aroma; it was like blueberry-scented white wine. Flavor, though? Okay, forget the blueberry. That damn strawberry cream spiel was still going strong. How was that happening with so clear a cup? I dunno…

I think this tea was trolling me.

Fifth infusion (forty seconds): Still zero change in color. The wet, spent leaves in the gaiwan smelled like boiled artichoke hearts. The liquor itself was now fully reminiscent of a strawberry-cream-flavored white tea. I should know, I’ve had ’em. Taste-wise, though, it possessed only a faint fruit presence, a nutty top note, and a wood-smoked leafy finish.

To conserve time while note-taking, I actually poured the remaining contents of each of the five infusions into one cup. Only when they were combined did they taste anything remotely like sheng pu-erh. Well, a pu-erh that’d been blended with whiskey-dipped peat moss.

I’d gone five rounds with this pu-erh, and it still had all its strength – taunting me with its deceptively clear liquid. I ran out of the time I allotted myself in reviewing it and decided upon an intermission. There was someplace I had to be. However…

When I returned, I intended to go all in with the same leaves – Texas Hold ‘Em-style – in one last cuppa cage match. This time I opted for a Western Assam approach; five-minute brew time, boiling water temp. That would surely kill it. If not, I was fresh out of ideas.

Sixth infusion (five minutes): FIGHT! The liquor was still clear-to-pale yellow. The aroma was almost straight leaf, only more prairie-like. It tasted like the lewd embrace between a lemon and a maple leaf. Not fair! Where was it getting its resilience?!

SEVENTH! infusion (lost track o’ time): Now it was showing signs of fading. The flavor had receded to something more akin to a Bai Mu Dan – nutty, lightly fruity, and somewhat earthy. I may have sipped its remaining life, but the leaves still looked up at me. Always taunting.

This was one tough sheng pu-erh. It even stood steadfast where most Assams would’ve waved a white [tea] flag. There was just no killing it. I had been owned, “pwned”, schooled, defeated, beaten and broken by a purple leaf. And the fight tasted fantastic.

To purchase Wild Purple Buds Pu-Erh from Butiki Teas, go HERE.

Addendum: The brewing instructions per the Butiki site says to use 1 level tablespoon, not teaspoon.

(For a definition of “pwned” – for ye n00bs – go HERE.)

Running for Kenyan Gold

This has unofficially become “Kenya Week” here at my lazy ol’ tea blog. It wasn’t intentional, but given that I have three Kenyan teas to notch off, it seemed only fitting that I theme a week around them. Today’s steep is a tea I actually received before the Purple Tea of Kenya. The purveyor of Phoenix Tea caught wind of my love for teas with the word “Gold” in them and (basically) said, “You ain’t tried nothin’ yet.”

Only…more eloquently, of course.

Royal Gold Safari was a “tribute tea” that was developed in honor of Professor Wangari Muta Maathi. She was the first African woman (an environmentalist) to win the Nobel Peace Prize. Also to her credit was being the first East or Central African woman to earn a doctorate.

Mooched from the Nobel Prize site

Mooched from the Nobel Prize site

This – like the Purble Tea I tried – was sourced from wholesaler, Royal Tea of Kenya. What I found funny was that it wasn’t listed among the available products on the RTK site. My only guess for this was that it was a rare tippy black tea only handed out for connoisseur-related consideration. Heck if I know. Not sure I’d call myself a connoisseur, but I know my gold teas…and this was one fine specimen.

On appearance, it looked like a Yunnan Jin Cha. The batch was mostly gold-tipped, curly leaves interspersed with the occasional brown-black pieces. The aroma wafting from the bag was peppery, sweet and caramel-like. On a blind whiff, I wouldn’t have been able to tell it apart from its distant Yunnan cousin. If there was one key difference in the fragrance, it was the berry-like lean – more like a greener oolong.

(Sidenote: I even had my brother/roommate smell it. His exact reply was, “It smells like Fruit Loops.” Well put.)

I couldn’t find any brewing instructions on the Phoenix Tea page or the RTK site. Best bet for Yunnan Golds was a three-minute steep in 195F-ish (almost boiled) water – 1 heaping teaspoon in 8oz. It was a little difficult to measure out just a teaspoon with how long these leaves were; the attempt came out looking more like a tablespoon. However, I thought it turned out right.

The liquor brewed to a…well…no other way to put it. It brewed GOLD! Bright, shiny, dazzling gold. It was a very light – and very bright – black tea. That same berry-sweet aroma remained with the liquid form, but not quite as strong. It was the flavor that was really surprising, though. The mouth feel was lighter than a Yunnan Gold – not as bold of a nectarine presence – but it possessed a floral introduction with a buttery after-effect. It was like drinking a Ceylon oolong (although I’ve never tried one). In fact, everything about this first infusion was very oolong-ish. I would even say close to a Dan Cong in character.

A second infusion at a full five minutes turned up an amber-colored brew with a stronger, honeyed-apple aroma. The taste was crisper, not quite as creamy, yet the same fruit-sweet savoriness remained. It took an uncontrolled brew-beating and still turned out wonderful – a telling trait of a burly black tea.

I’m not quite sure this surpasses the best Yunnan Golds I’ve tried. And, believe me, I’ve had a lot of those. But the experience this offers up is something quite unique. If this blog is proof of anything, it’s that I treasure unique teas. This is a fantastic tippy tribute tea if ever there was one.

To purchase Phoenix Tea Shop’s Royal Gold Safari, go HERE.

Four-Eyed No-Horned Flightless Purple Tea Drinker

Tea is a major cash crop in Kenya. Some of that is owed to Lipton. Thanks to Big L – and others like it – the entire country could be looked upon as one big tea garden dotted with a few cities and wildlife preserves. Okay, that’s a bit of an exaggeration, but – truthfully – Kenya produces a lot of tea. Unfortunately, most of it shows up in cheap-o blends for mass consumption.

Lately, though, there’s been a push to highlight the single estate offerings Kenya provides. Almost as if the country collectively said, “Hey! Over here! There’s more to us than Lipton!” I can proudly say I’ve tried three or four – a Kenyan white matcha (bizarre but beautiful), a whole leaf black (meh), and an English Breakfast variant (tres yum). But the real stand out – at least in the last year or so – has been the development of a new leaf cultivar dubbed “Purple Tea”.

Photo by the Tea Research of Kenya

Photo by the Tea Research of Kenya

The new clonal strain – dubbed TRFK 306/1 – was developed for its health properties as well as its potential resistance to pests. Its most noteworthy molecular component is a flavonoid called anthocyanin – the component directly responsible for giving the leaf its purplish hue. Anthocyanin was purported to be an antioxidant powerhouse (a topic still debated), but the actual food value was questionable. By itself, the flavonoid was considered odorless and flavorless.

Science-y talk aside, I was hooked on sipping the damn leaf six months ago. It was instantly added to my “Tea WANT!” list. Problem was no one carried it. Part of that was its recent introduction. Most tea vendors weren’t aware of it until the World Tea Expo this year. Some that I talked to that were intrigued by it chose not to pick it up. Of all the ones I encountered, there were only two: The Royal Tea of Kenya (the parent group providing it, a wholesaler) and Butiki Teas. I chose to go through the latter in acquiring it. Would it taste good? Hell, I’d be the judge of that.

The leaves – or rather, leaf fragments – had the appearance of black tea fannings. They weren’t quite CTC-cut small, but were definitely flirting with the granular grade. There wasn’t much of a purple sheen to them, not that I was expecting one. In fact, I found it odd that there was a sharp contrast between green and black, no in-betweens. I figured these would be fully oxidized when I got ‘em. As for scent, I was reminded of sweetened trail mix and Japanese (or Guatamalan)-grown black tea – floral, somewhat dry, and lightly sweet.

Brewing instructions called for a ½ teaspoon of leaves in 8oz. of 160F water infused for three-to-five minutes. That was as sencha-like an approach as I’d ever heard of. Those instructions came from the Royal Tea of Kenya page itself, but I was in the mood to experiment. Heck, Butiki’s site encouraged experiment. So, I decided to try three different infusions – one at the recommended 160F, one at 180F, and one at boiling. All at the three-minute mark, save for the last one where I’d do the full five.

First try (160F, three minutes): The liquor brewed up clear with a tinged droplet of green giving a slight impression of “tea”. The aroma had a roasted nutty impression, again supporting the sencha comparison. That was dispelled on taste when I was greeted with a grape front, a creamy-textured top note and a faintly vegetal finish. It had a lot in common with a Mao Jian.

Second try (180F, three minutes): The hotter temp yielded a pale, foggy amber brew reminiscent of steeped nettle leaf or guayusa. The aroma was sweet and almond-like with a trail of artichoke. As for the flavor, this was a tough one to discern. The front was fruit sweet and crescendoed on an even greater grape note than the prior attempt. Whereas the trail-off had none of the former’s vegetal lean; the nearest comparison I could find would be a Taiwanese (Formosa) oolong. Not surprising since this was an oolong-ish approach.

Last try (boiled to awesomeness, five minutes of EXTREME!): The liquor took on a bronze-ish lean for this last bit o’ crazy. Oddly enough, it was difficult to pinpoint an exact aroma, though. The only word that came to mind was, “TOAST!” But maybe that was because I was hungry. Butiki was right that the brew took on a bit more astringency with the more brazen temp, but I didn’t find it off-putting. The foretaste possessed a roasted fruit feeling on tongue-down, which transitioned in the weirdest of ways.

Usually, when I sense the…uh…”movement” of flavor from one note to the next, it’s a subtle feeling – not so, here. There was a faint echo of – and I know this sounds weird – cream-covered strawberries on interim, like I was riding a yogurtine go-cart from one taster note to the next. This alternated from roastiness…to “yogurt-cart”…to fruit…to “yogurt-cart” again …to finish. Unorthodox? Just a tad. But obviously my favorite of the three infusions.

In closing, I have no clue if this would make me run as fast as Kenyans – or even get me out of my chair – but what it did do was deliver on taste. At the end of the day, when all the health benefits and science-y technobabble’s been spouted, that’s all you need. Butiki’s founder also mentioned in passing that there existed a white tea version of this experimental leaf.

And I’ll be the first in line to guinea pig for it.

To purchase Butiki Teas Purple Tea of Kenya, go HERE.

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